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Artist Statement

My practice explores how fear based media is used to manipulate viewers, through both social media and various other forms of news sources. I question the intentions of news media through my photography, collage, video, sound, and installation work. Overdramatising news is a method of attracting viewers at their own expense, my own work plays on this using methods of exaggeration such as collaging repetitive imagery and casting shadows to highlight the negative effects that frequent exposure to disaster reporting can have on the viewers mental health. I grew up exposed to the media, watching television in my living room, but now more than ever technology is so readily available to us through mobile phones it can seem impossible to escape the clutches of the media. Mimicking this invasion of the home, I like to bring aspects of the domestic into some of my works by hanging photographs and mirrors in installation spaces,

CV

Information

Born in 1999, Lincoln, UK

Lives and works in Derbyshire.

Born: 08/03/1999

Contact: micafotherby99@gmail.com

Mobile: 07496854105

Website: https://micafotherby99.wixsite.com/mica-fotherby 

 

Education

Fine Art BA (Hons), Derby, University of Derby, 2018-2021

 

Exhibitions

Entropy-19 (Solo Graduate Exhibition). Britannia Mill Studios, University of Derby.

2021

 

Entropy (Solo online). https://instagram.com/entropy_exhibition?utm_medium=copy_link. 2020

 

Show Show (Solo online).

https://instagram.com/uni_derby_fine_art?utm_medium=copy_link. 2020

 

Exhibition Week (Solo). Britannia Mill Studios, University of Derby. 2019

 

‘Can You Keep A Secret?’. River Lights Centre, Derby. 2018

using typically domestic lighting, props, and exposing household features such as skirting boards and sockets within my ‘wallpaper’ collages. The juxtaposition of the domestic and this dark imagery is intended to create a sense of displaced normality, making the viewing experience uncomfortable. The use of mirrors in my work is intended to frame the viewers reflections against the darkness of the wallpaper behind. They can act as a prison, trapping the viewer in the darkness, or as an accusation, making the viewer question their own involvement in the work.

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Experience 

Invigilator at Entropy 19 exhibition, Britannia Mill, University of Derby.

Fundraising for Entropy 19 exhibition, contributing ideas and work for an auction.

 

References

Rodger Brown

Senior Lecturer of Fine Art at the University of Derby.

R.g.brown@derby.ac.uk

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